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We have no control over the content of these pages. We take no responsibility for the content on any website which we link to, please use your own discretion while surfing the porn links. EXCLUSIVE: Brazilian filmmaker Fernando Grostein Andrade, a social justice and LBGTQ activist in his home nation, has made a documentary Breaking Myths, attacking the policies of Brazilian president Jair Bolsonaro. The film will be released online on September 16, and Andrade hopes to influence the upcoming elections in the south American country, taking place on October 2. Andrade is based in California, and says he cannot return to Brazil, after receiving death threats and social media bullying for speaking out publicly against the president and his actions on LGBTQ rights, the Amazonian rainforest and other issues. Andrade previously came to global attention with his documentary Breaking the Taboo, a film exploring alternative solutions to the war on drugs, approaching it as a healthcare issue. The doc, which featured interviews with heads of state like Jimmy Carter, Bill Clinton and Fernando Henrique Cardoso, was distributed in 22 countries, and eventually turned into a 20-part Brazilian TV series.
This is not the first time the Brazilian premier has come into conflict with filmmakers. Brazil is home to the Amazon and other ecosystems critical to climate change. It’s really important to have every Brazilian voting in the coming elections. Our people will decide if they want to keep our sovereignty on the Amazon or to be ruled by crooks who serve foreign special interest. Subscribe to Deadline Breaking News Alerts and keep your inbox happy. We want to hear from you!
While Cage’s latest creative renaissance is hopefully still just getting started, his current upswing was always going to be pockmarked by its fair share of forgettably solid genre films. We’re talking respectable programmers with compromised scripts, cool supporting casts, and just enough credibility to stride onto Redbox with their heads held high. Cage’s recent hot streak so much as it does a watchable part of the plan, and possibly even a preview of things to come. Gabe Polsky has been trying to bring it to the screen for more than decade. Kansas in search of a different kind of education. New England boy with hands as soft as a baby’s cheek.
500 in his pocket to bankroll his big score. The hunter is raring to visit a secret valley in the Colorado Rockies where the buffalo run as wide and deep as the sea, and he’s more than happy to bring Will and his money along for the trip. Of course, that’s what he did to some degree, but Polsky and Liam Satre-Meloy’s script ices the character out to the point that it can be easy to forget he’s even there. It isn’t long before Miller goes full Colonel Kurtz out there, his bloodlust for buffalo growing so intense that his team misses their window to leave the mountains, and is forced to hunker down until the spring. There’s some fun to be had in the Brando-like flickers of Cage’s performance, but Polsky’s film is too practical and logic-driven to indulge them.
The sepia-toned photographs that we see over the opening and closing credits — gruesome images of buffalo skulls piled into pyramids some 30 feet high — provide a more lucidly damning portrait of the damage that white men did to the American West than any of the actual scenes between them. Saban Films will release it in the United States. Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.
Director Gabe Polsky has been trying to bring Butcher’s Crossing to the screen for over a decade. When he first read the novel, he was struck by the thematic structure and character development. Harvard dropout who seeks to explore the Western Frontier of America in search of purpose. Nicolas Cage plays Miller, a buffalo hunter whose mysterious presence convinces a young Will to spend all of his money on a dangerous expedition. Coming off of his role as Quinn in The White Lotus, Fred Hechinger found a similarity in the role of Will Andrews. Both characters are drawn to find a sense of purpose, though his character in Butcher’s Crossing has a much harsher reality check.